Hand Scanner Lock
Apologies for the blurry photo, but had to be taken quickly. Note the hand diagram. I bet we're going to see a lot of this sort of thing.
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Apologies for the blurry photo, but had to be taken quickly. Note the hand diagram. I bet we're going to see a lot of this sort of thing.
Spotted at a construction site at SFO. This is on a large rectangular box the size of a car.
Love the "Maximum Time" button, since that's probably what most people do most of the time when parking at a meter.
Wow.
"Red emergency stop button on industrial machine in a factory."
In an Osaka restaurant, according to the photographer.
Be sure to view this photo in Flickr to see all the controls detailed out. Very cool.
Karlshamn, Sweden
View larger in Flickr to read the button labels. No comment on the form.
Switches that lock down jail cells. West Virginia State Penitentiary, Moundsville, West Virginia.
Photographer says: "These are the controls of the toilet in a restaurant in Ginza. Most of the toilets in Tokyo are remote-controlled. You can control the strength of the splashing water. I even saw one with a "flushing sound" button."
No idea what this is, but look at how the fixed points of the dial link to (handwritten?) labels via lines.
Love the "Help Is On The Way" light.
I think I understand these icons...
Rhode & Schwartz dc power supply.
"Korg EA-1 Mk II analog modeling synthesizer. Portamento is how quickly it changes pitch so you can play it like a piano or make it sound like a siren. The rest is for the two oscilloscopes and the type of each and how they interact with each other (modulation). Also can patch in the audio in, instead of Osc 1."
What does the button marked with the handicapped icon do? And the repeat button? And the numbers below each of the buttons? And the unused buttons? What a mess.
Note the effects here. When the numbers change, they seem to fade out slightly before the new number appears. Seems to be a similar effect when transitioning between screens. Also: check out the genie effect on the keyboard.
From a New York Times Magazine article featuring Brad Bird ("The Incredibles"):
[Animation's] success depends on finding a physical expression that is recognizable yet beyond what occurs in real life.Fred Astaire had unusually large hands and learned how to use them in a way that made his dance more dynamic; he’d fold his hands for most of a routine, then flash them out for accents at key points. Their sudden increase in size made those moves pop in a way that other dancers couldn’t match. Animators use tricks like this all the time in ways that the audience never sees but always feels.
Check out this Astaire clip ("Putting on the Ritz") for a demonstration.
Awesome.
I love the labels on the tuner: Vatican, E. Germany, W. Germany, etc. Note that they indicate a small range, not just a fixed point.
Really nice set of icons and labels here, I think.